I like the value range you've used here. Also, I think the sense of scale comes across very well. I think the image could benefit from some more clearly defined shapes to kind of tell me whats happening in the midground.
Very interesting composition and good depth. The silhouettes are nice but I would like to see more definition on the forms for the foreground objects, I would also nix the gradient on the lower right structure nearest the viewer, It doesn't suggest form and distracts. In the future avoid jumping too quickly in with the textures, and defining your major structural forms a bit more. The detail work is nice but there are weak areas because some of the superstructures lack sufficient geometry to read as anything other than silhouettes. You're close, just hold back on the details a bit more and get the shadows and highlights telling the viewer what major forms they're looking at. As for color, I would like to see color applied to this greyscale, a good starting point is a two toned gradient at 100 percent set to overlay/softlight/multiply, whichever nets you the best results.
I like the value range you've used here. Also, I think the sense of scale comes across very well. I think the image could benefit from some more clearly defined shapes to kind of tell me whats happening in the midground.
ReplyDeleteVery interesting composition and good depth. The silhouettes are nice but I would like to see more definition on the forms for the foreground objects, I would also nix the gradient on the lower right structure nearest the viewer, It doesn't suggest form and distracts. In the future avoid jumping too quickly in with the textures, and defining your major structural forms a bit more. The detail work is nice but there are weak areas because some of the superstructures lack sufficient geometry to read as anything other than silhouettes. You're close, just hold back on the details a bit more and get the shadows and highlights telling the viewer what major forms they're looking at. As for color, I would like to see color applied to this greyscale, a good starting point is a two toned gradient at 100 percent set to overlay/softlight/multiply, whichever nets you the best results.
ReplyDelete